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Sonia Robertson


Manitushiu-puamuna Between the two worlds


Curated by Logan MacDonald
July 17, 2021 - September 11, 2021

Within the spaces animated by the leaves and sounds amongst the trees of the forest, Sonia Robertson's installation will explore the in-between world of dreams and consciousness.


Sonia Robertson is an artist, art therapist, curator and entrepreneur from Mashteuiatsh where she currently lives. She received her Bachelor's degree in interdisciplinary art from the Université du Québec à Chicoutimi in 1996 and has participated in numerous artistic events in Canada, France, Haiti, Mexico and Japan. She has developed an in situ and increasingly participatory approach. Art is for her a great means of expression and healing. She also completed a master's degree in art therapy at UQAT during which she created an approach linked to the imaginary of hunter-gatherer peoples.

Involved in her community, she has worked to promote art as a means of empowerment and expression for people in her community. She has co-founded various organizations and events, including the Diane Robertson Foundation, now Kamishkak'Arts, which supports artists at all levels and uses art as a social lever through various projects; the TouT-TouT artists' workshops in Chicoutimi in 1995; Kanatukulieutsh uapikun in 2001, which works to safeguard and promote the Pekuakamiulnuatsh's knowledge of plants; and the Atalukan Storytelling and Legends Festival in 2011.

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Logan MacDonald is a Canadian-based interdisciplinary artist, curator, and educator and activist who focuses on queer, disability and Indigenous perspectives. He is of European and Mi’kmaq ancestry, who identifies with both his settler and Indigenous roots. Born in Summerside, Prince Edward Island, his Mi’kmaq ancestry is connected maternally to Elmastukwek, Ktaqamkuk in belonging to the Qalipu First Nation. His artwork has exhibited across North America, notably with exhibitions at L.A.C.E. (Los Angeles) John Connelly Presents (New York), Ace Art Inc. (Winnipeg), The Rooms (St. John’s), Articule (Montréal), and the Künstlerhaus Bethanien (Berlin). He currently serves as Vice-Chair of the Indigenous Curatorial Collective (ICCA), and is a Canada Research Chair in Indigenous Art at the University of Waterloo.


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